Wordworth’s “Lines Written a Few Miles Above Tintern Abbey”
raises some interesting questions about temporality. Obviously the poem relies
heavily on the transcendent power and utilitarian value of memory. In
remembering his youthful days of wandering amongst nature (or Nature), the
older and wiser poet has found solace in the harsh environment of the city. The
poem can seem to lend itself to a straightforward criticism of industrialized
urban life. So frustrating is the “din of towns and cities” and the confinement
of “lonely rooms” (lines 26-7) that even the mere memory of a time spent
communing with the sublime in nature can be seen as superior.
But I think there’s more to it than that. The speaker of the
poem, presumably Wordsworth or a persona not far removed from the author,
places himself above the abbey in what I would argue is a liminal space outside
the bounds of time. From his spot above the abbey, the speaker can observe the
world from a distance with insights into the past and glimpses into the future
constantly obscuring his vision of the present. In the opening lines,
Wordsworth is marking the passage of time since he last visited the space. The season’s
transition in the natural order of winter into summer and now the waters are
again welling up along with memories of the authors experience as a younger man
in the same spot. The idea of the present moment is of little concern to the
poem noted by the absence of the abbey itself beyond the title of the poem. The
present only seems to exist as a point of departure where the speaker can mark
the changes since his last visit or as a meaningful and important moment for
his sister that lacks the significance that can only be given to it by the power
of memory. Wordsworth hopes his sister can one day look back and enjoy her time
in the Welsh countryside as he has done but his preoccupation with how much has
changed and the value of his own memories seems to drown out the present.
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