All of the poems relate to the themes of nature and culture by using
personification of natural objects and processes, and also metaphor and
simile, to speak to cultural issues. In particular, “The Thorn”
describes the tragedy of a woman who is overcome by disasters of both
natural and cultural origins. The Broom, in “The Oak and the Broom,”
speaks optimistically of “disasters” as events universal to all. Robert
Burns likewise makes a claim on the universality of disaster by likening
the fates of a mountain daisy, a maid, and a bard, and John Clare’s
speaker says to a weedling, “Come…/My fate shall stand the storm with
thine.”
Reminiscent of Spanish folklore’s La Llorona, mystery
surrounds the two possible disastrous, tragic fates of the woman of “The
Thorn”: After overcoming a brief psychosis and giving birth, either the
baby dies of natural causes or, as the townsfolk believe, she kills it.
The theory that she killed her baby is supported with supernatural
evidence, and since the supernatural is out of place in a poem comprised
totally of imagery from natural objects and processes, it seems
unlikely that a murder took place. The natural disaster of the loss of a
child is then compounded by the culturally constructed tragedy of any
unwed mother; the defamation of character merely adds to the suffering.
In another poem by Wordsworth, the Broom speaks against “haunting [the]
heart with terrors.” If natural disaster is universal to all, why should
we allow culture to beat us down even lower, rather than raise each
other up?
Is this sense of tragedy what is meant by “feeling” in the title of this first unit?
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